Las óleos de todo Robert Reid
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ID |
Image |
Painting (From A to Z) |
Details |
60422 |
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Girl with Flowers |
Girl with Flowers |
28177 |
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Hail to the Pioneers |
1897-9
fresco 2.2 x 5.2 m(7 x 17ft)
Old City Hall Toronto (mk63) |
71479 |
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Her First Born |
ca. 1888(1888)
Oil on canvas
94 x 85.4 cm (37.01 x 33.62 in)
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72658 |
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Her First Born |
Date ca. 1888(1888)
Medium Oil on canvas
Dimensions 94 X 85.4 cm (37.01 X 33.62 in)
cyf |
49467 |
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In the Flwer Garden |
mk196
c.1900
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60423 |
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Knowledge |
Knowledge (1896). Thomas Jefferson Building, Washington, D.C. |
72567 |
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Old Gardener |
Medium Oil on canvas
Dimensions 91.8 X 102 cm (36.14 X 40.16 in)
cyf
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44839 |
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Robert Reid |
mk177
1899
Oil on canvas
44x42
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38377 |
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The Mirror |
mk136
About 1910
Oil on canvas
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71408 |
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The Old Gardener |
ca. 1921(1921)
Oil on canvas
91.8 x 102 cm (36.14 x 40.16 in)
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4293 |
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The Violet Kimino |
1910
National Museum of American Art, Washington DC |
4292 |
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The White Parasol |
1900
National Museum of American Art, Washington DC |
60424 |
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Wisdom |
Wisdom (1896). Thomas Jefferson Building, Washington, D.C. |
32003 |
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Woman with a Vase of Irises |
mk77
c.1906
Oil on canvas
34x26in
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Robert Reid
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1862-1929
Robert Reid Galleries
Robert Lewis Reid (July 29, 1862 ?C December 2, 1929) was an American Impressionist painter and muralist.
Reid was born in Stockbridge, Massachusetts and attended the School of the Museum of Fine Arts, Boston under Otto Grundmann, where he was also later an instructor. In 1884 he moved to New York City, studying at the Art Students League, and in 1885 he went to Paris to study at the Acad??mie Julian.
Upon returning to New York in 1889, he worked as a portraitist and later became an instructor at the Art Students League and Cooper Union. Much of his work centered on the depiction of young women set among flowers. His work tended to be very decorative.
In 1897, Reid was a member of the Ten American Painters, who seceded from the Society of American Artists. Around the turn of the century, Reid worked on several mural projects and when he returned to paintings, around 1905, his work was more naturalistic, even though his palette trended toward soft pastels.
He died in Clifton Springs, New York.
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